The article offers a compelling critique of the relentless pursuit of flawless technology, arguing that the quest for absolute transparency and perfection is fundamentally misguided. It emphasizes that every advancement in media technology inherently carries its own set of imperfections which we often dismiss as flaws or glitches. The argument here is that these imperfections, rather than being seen as failures, should be recognized as creative opportunities. The author discusses how noise and glitches, traditionally perceived as disruptions, can actually become powerful tools for artistic expression. This perspective challenges the dominant narrative of technological progress, which is often fixated on upgrading until you achieve perfection. The article suggests that glitch art isn’t just about highlighting errors but using them to disrupt conventional expectations and explore new meanings in art. The notion that glitches can reveal underlying ideologies embedded in technology proposes that errors can serve as a critique of how technology and social conventions interact. The meaning of glitches evolves as they are named and understood, adding depth to the understanding of glitch art. The concept of "glitch speak" suggests that glitches are not static but continuously evolving and challenging our interaction with technology. This evolving nature implies that glitch studies could offer valuable insights into the changing relationship between technology, society, and art. I think that the article argues that viewing glitches as integral to the creative process rather than mere errors can lead to a richer understanding of both technology and art. This shift from striving for perfection to embracing imperfections allows for a evolved interpretation of technological progress.
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