For this project, I wanted to explore the intersection of memory, movement, and linework through the medium of skis. These skis, which have been part of my family for over 30 years, hold a personal history and energy that I want to channel into my work. By combining the static nature of the skis with dynamic, moving projections, I aim to transform the familiar object into a vessel for memory and experience.
The idea evolved from a desire to bridge the past with the present—turning a physical, utilitarian object into a canvas for digital art. I chose to use skis not only because of their personal significance but because of their strong, clean lines and sculptural quality. Through projection mapping, I aim to manipulate their surface and enhance the natural lines and shapes of the skis, while introducing movement and optical illusions that challenge the viewer’s perception.
The process involved careful selection of skis based on their design and the quality of their surface. I chose skis with solid colors and dramatic lines, which allowed for more impactful projections. Working with black-and-white video footage allows the viewer to focus on the form and design of the skis, while still seeing the intricate patterns created by the projections.
What I learned throughout this process is the importance of balance between the object and the projected image. If I were to approach this project again, I would experiment with color projections to see how that might change the viewer’s interaction with the skis. Moving forward, I’d like to expand this concept to include more personal objects and create an immersive installation that blends multiple histories into one cohesive experience. I do believe that using these charged objects adds a whole other layer to the impact of the piece.
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