The article explores the evolution of net.art during the 1990s, emphasizing its unique intersection of art and technology. Slovenian artist Vuk Cosic's discovery of the term "net.art" due to a software glitch highlights how the movement embraced the Internet's immediacy and immateriality.
Net.art emerged as a dynamic exploration of the Internet as a medium for artistic expression and social commentary. Artists and collectives such as äda’web, Irational.org, and Jodi.org pushed boundaries with innovative projects that challenged traditional art forms. The movement also intersected with political discourse and activism, seen in works like Heath Bunting's Kings Cross Phone-In and Mongrel's Heritage Gold.
The article also notes the contributions of female net.artists like Olia Lialina and Shu Lea Cheang, who brought fresh perspectives to the movement. However, as net.art gained mainstream recognition, it faced challenges in balancing its radical roots with increasing institutionalization.
Moreover, net.art sparked debate about the legitimacy of digital art as a true art form. Critics questioned whether art created and displayed online could have the same impact as traditional forms. Despite this controversy, net.art demonstrated the potential of the Internet as a platform for innovative and socially engaged art, helping to redefine the concept of what art can be in a digital age.
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